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Do you know? UNknown UN History |
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By Pat Duffy
Back in 2009, Ms Tremblay, who works in the Office of the Spokesperson for the UN Secretary-General, was herself a newcomer to New York. In New York City for the first time, her friendships with other female newcomers inspired her. Many felt a new freedom to realize and develop their potential and dare to reach for long-hoped-for goals. Ms Tremblay’s ‘portrait project’ itself expanded this sense of mutual support. As one of the portrait subjects, Melanie Randisi, put it, “All of us bonded through Marlene’s portrait project. We sat together and told our stories. We empathized with one another’s struggles. Though they might be different, they are struggles any of us could be facing at any time: struggles in career, creativity, health, relationships.” The women depicted in the portraits had inspired the artist with their strength, talents, risk-taking, and belief in life. Ms Tremblay created the portraits using “pinto-photography”, which combines photography and painting, along with an overlay of natural images, such as flowers or effervescent bubbles. A process as unique as the artist’s subjects, it aims to bring forth the inner essence of each woman. Female friendship and the sharing of aspirations and struggles created a supportive space that propelled all towards realizing their dreams in the “city of dreams”, New York.
Casals and Auden were brought together in
this unusual collaboration by then United Nations Secretary-General U Thant.
For centuries, poets and musicians have sung in praise of war and celebrated
victories in battles. U Thant was intrigued by the fact that there existed
no hymn to peace. Casals was a personal friend of his, and when approached
by Thant, he readily agreed to write the music. As the Secretary-General
explained, the song was to be based on the preamble to the Charter of the
United Nations. Although it would not be formally adopted as the official
anthem of the United Nations, U Thant hoped it would be performed on
appropriate occasions.
While Casals greatly liked the ideas
contained in the preamble, there was no way he could put music to such a
document. The task to write an appropriate poem, based on the theme of peace
and ideals enshrined in the preamble, fell on W.H. Auden, then regarded as
the greatest living English poet. When a representative of the
Secretary-General approached the poet, he immediately agreed to write the
poem. In three days’ time, Auden finished writing “A Hymn to the United
Nations”, which was then set to music by Casals.
On 24 October 1971, the Orchestra of the
Festival Casals, with Casals as conductor, presented the hymn in a première
performance at UN Headquarters. To listen to “Hymn to the
United Nations” and see the words, click here:
The story goes that Winston Churchill, a great lover of poetry, recited the lines to Franklin Roosevelt and his granddaughter on a visit to Washington, D.C. in 1944. After, Byron’s more poetic “United Nations” came to replace the originally proposed name “Associated Nations” In the poem “Childe Harold”, among other themes, Byron was writing about all the bloodshed in the many wars in Europe. With this we are reminded that a great many (if not all) human creations start with poetic and artistic vision. And with that thought we will conclude with another of Byron’s poetic lines:
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